A comprehensive and practical analysis and overview of the imaging chain through acquisition, processing and display
The Handbook of Digital Imaging provides a coherent overview of the imaging science amalgam, focusing on the capture, storage and display of images. The volumes are arranged thematically to provide a seamless analysis of the imaging chain from source (image acquisition) to destination (image print/display). The coverage is planned to have a very practical orientation to provide a comprehensive source of information for practicing engineers designing and developing modern digital imaging systems. The content will be drawn from all aspects of digital imaging including optics, sensors, quality, control, colour encoding and decoding, compression, projection and display.
Volume 1: Image Capture and StorageVolume 2: Image Display and Reproduction / Image Display and Projection / Hardcopy Technology / Halftoning and Physical Evaluation / Models for Halftone ReproductionVolume 3: Imaging System Applications / Media Imaging / Remote Imaging / Medical and Forensic Imaging
1 Digital Versus Analog Imaging 3Michael Kriss2 Optics for Digital Imaging 31Peter B. Catrysse3 Solid-State Image Sensors 854 Digital Imaging: An Introduction to Image Processing 161Michael Kriss5 Color Reproduction for Digital Cameras 219Michael Kriss6 Image Compression and File Formats 287Michael Kriss7 Image Quality Concepts 325Peter D. Burns8 Image Systems Simulation 373Joyce E. Farrell and Brian A. Wandell9 Multispectral Imaging 401Yoichi Miyake and Vladimir A. Bochko10 Understanding Glare and How it Limits Scene Reproduction 433Alessandro Rizzi and John J. McCann11 Liquid Crystal Display (LCD) 461Claire Gu and Pochi Yeh12 Plasma Display Panel (PDP) 505Shigeo Mikoshiba13.Liquid Crystal on Silicon (LCOS) 557Cheng-Huan Chen14 Introduction to Organic Light-Emitting Diode (OLED) 577Jun Liu, Chin-Ti Chen and Chin H. Chen15 Field Emission Displays (FEDs) and Surface-Conduction Electron-Emitter Displays (SEDs) 627Matthew T. Cole, Masayuki Nakamoto and William I. Milne16 Thick Film AC Electroluminescence 655Christopher J. Winscom, Robert Withnall and Jack Silver17 Touch Displays 673Geoff Walker18 Digital Micromirror Device and Digital Light Processing 739Rajeev Ramanath19 Electrophotography 759Marc Cousoulis20 Toner Technology and Fusing Concepts 811Dinesh Tyagi21 Inkjet Print Engines 863Ronald A. Askeland22 Ink-Jet Ink Technologies 895John L. Stoffel23 Basics of Tone Reproduction 921Sasan Gooran and Li Yang24 Digital Halftones 943David Vanderhaeghe and Victor Ostromoukhov25 Physical Evaluation of the Quality of Color Halftone 983Li Yang26 Fundamentals of Optics and Radiometry for Color Reproduction 1021Mathieu Hébert, Roger D. Hersch and Patrick Emmel27 Base Models for Color Halftone Reproduction 1079Roger D. Hersch and Mathieu Hébert28 The Point Spread Function and Optical Dot Gain 1133Geoffrey L. Rogers29 The Probability Model for Color Tone Reproduction 1165Li Yang30 Computer Models for Digital Imaging 1199Patrick Jenny, Miloš Šormaz and Safer Mourad31 Two-Flux and Multiflux Matrix Models for Colored Surfaces 1233Mathieu Hébert and Patrick Emmel32 Single-Sensor Imaging Devices: An Overview 1281Sebastiano Battiato33 Digital Television 1311Stefan Mozar, Pan Feng and Rongshan Yu34 Blu-Ray Versus Internet Movies 1341Denny Breitenfeld35 TV Display Technology and Video Processing 1353E.B. Bellers and G. de Haan36 Introduction to Digital Cinematography 1395Matthew J. Siegel37 Free-Viewpoint 3DTV: System Architecture, Rendering Techniques, and Perceptual Improvements 1441Luat Do, Svitlana Zinger and Peter H.N. de With38 Experiences in Using Semantic Technologies for Providing Added-Value Services in Digital TV 1477Ana Fernández-Vilas, Rebeca P. Díaz-Redondo, José J. Pazos-Arias, Yolanda Blanco-Fernández and Martín López-Nores39 Physical Content Distribution Versus Delivery from the Cloud 1507Thomas M. Coughlin40 Digital Imaging for Planetary Exploration 1531Shouleh Nikzad, April D. Jewell, Alexander G. Carver, Michael E. Hoenk, Justin N. Maki and L. Doug Bell41 IR Astrophysical Telescope Missions 1559Leonard Dorsky42 Visual Imaging for Diagnosis and Robotic Surgery 1581Rajesh Kumar43 Volumetric Medical Imaging 1593Jianhua Yao and Joseph E. Burns44 Digital Microscopy 1613Nico Stuurman and Kurt Thorn45 Digital Photo Forensics 1641Neal Krawetz
Michael Kriss :- Editor-in-Chief Dr. Kriss received his BA(1962), MS(1964) and PhD(1969) in Physics from the University of California at Los Angeles. He joined the Eastman Kodak Research Laboratories, Color Photography Division, in 1969 and later the Physics Division until his retirement in 1993. In his early years at Kodak, Dr, Kriss focused on color film image structure and modled and simulated the impact of chemical development on image structure and color reproduction. When he joined the Physics Division he focused on image processing of scanned and captured digital images. Dr Kriss spent three years in Japan where helped build an advanced research facility. At Kodak he headed up the Imaging Processing Laboratory and Algorithm Developing Laboratory. He joined the University of Rochester in 1993 where he was the executive director of the Center for Electronic Imaging Systems and taught through the Computer and Electrical Engineering Department. He joined Sharp Laboratories of America in 2000 where he headed the Color Imaging Group. Dr Kriss retired in 2004 but is still active as a consultant, Adjunct Professor at Portland State University, IS&T activities, and as the Editor in Chief of the Wiley-IS&T Series on Imaging Science and Technology.
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